Bradley took care of her through her later years, and she lived to see her son’s unlikely career in music take off with the release of his first album (when he was sixty-two!) in 2011. After years of homelessness and struggle and intermittent contact between the two, she crossed the country on a Greyhound bus to reconnect with him in the late 1990s. When Bradley was eight, his mother reappeared, and they lived together until he ran away at age 14. She abandoned him when he was an infant, leaving his grandmother to raise him. I won’t get into the details of Charles Bradley’s difficult, heartbreaking, and ultimately triumphant life – there is a documentary that can do that nicely for you – but the part of his life most relevant here is his relationship with his mother. Bradley injects into “Changes” the pain and love of a truly extraordinary life. The first line sounds like it’s lifted directly from a thesaurus: “I feel unhappy / I feel so sad.”Īfter the song’s release, Ozzy Osbourne had to appease fans by stating that Sabbath was “certainly not going to get any less heavy” or start bringing string sections on stage in their live shows.Īnd like any good cover song, Charles Bradley’s interpretation takes the best ingredients from the original and pulls them into their potential. Then there are the lyrics which aren’t exactly the peak of poetry. Which makes sense, because it was written…by the band’s guitarist, who was experimenting with a keyboard. With all respect to Black Sabbath (whom we featured way back in week 46) the piano part sounds childishly simple, as if it was written by a guitarist who was experimenting with a keyboard. The original version of this song, in the context of Black Sabbath’s catalogue of guitar-driven riff-rock anthems, is a bit of an oddball.

Charles bradley changes album art